Tag Archives: Steven Moffat

Moffat Who Take One

Tonight was a crunch night for the revived Doctor Who, perhaps more so than when it returned five years ago. Back then whilst there was a love for the old show, there was almost a suspicion that it wouldn’t fly, wouldn’t work with modern audiences. However fly it did, and despite a quick change of leading actor after only thirteen episodes under the hand of lead writer Russell T Davies it became a massive success.

Not that everybody was happy. I know a good few long term fans who were less than pleased with the almost soap opera-ish aspects that RTD brought in, and thought that his plots were less than stellar. There were some good stories, the ones written by Steven Moffat being particularly noteworthy, but despite the detractors from within the existing fanbase it was a success.

Last year with David Tennant the incumbent and incredibly popular Doctor having decided to move on, the production team saw it as a good time to move on also. For the fans, especially the RTD detractors there was much rejoicing when Steven Moffat was handed the lead writer role – hopefully that will bring a much better standard of plotting, and back to something more akin to the old Who the old fans were craving – but at the same time the RTD Who had proved massively popular with legions of new fans. Moffat then threw a total curve ball by picking an almost totally unknown actor, Matt Smith to play the title role.

So as the UK sat down to watch, how was the first outing for Moffat Who?

I’ll try and not give away too many spoilers, however in our household it was generally well received. The well plotted and entertaining Moffat style from his previous episodes has certainly survived his promotion. The episode kicked off with a great post regeneration sequence, including a sequence with food that was vaguely reminiscent of trying to find food for our daughter Lucy.

Like RTD who there is still a good deal of backstory – whether it will annoy the fans in quite the same way as it did previously remains to be seen. However whilst RTD seemed keen at times to distance himself from so called classic Who, all ten previous Doctors do make an appearance. There are also references to the TARDIS library and pool, and a clothes scene that harks back to the one TV outing for the eighth Doctor. The other thing that appears is the Doctor who knows more than he is letting on, most prominent during the seventh Doctor era. At the very end, after leaving, the Doctor comes back and really pushes Amy to come with him. When she asks why, he makes a comment about being lonely – but take a look at what is on the screen that he hurriedly turns off before she sees…

Matt Smith is different from his predecessors, but still has elements of them. As Beth points out on a couple of occasions he delivers lines in a way that is much the same as David Tennant. Certainly his age doesn’t seem to matter. Like any actor taking on the role he’ll need probably the whole series to find his feet in the role properly, but he certainly seems to have made a good start. Karen Gillan also makes an impressive debut as the new companion, her frustration with the inability of the Doctor to keep time harking back to another companion who once famously said “A broken clock keeps better time than you, at least it’s right twice a day!”.

Taking a look on Twitter after the show, whilst there are a few people who aren’t happy, the overwhelming majority seem to have enjoyed the show. Moffat does seem to have pulled it off, and the show has transformed once again. New music, new production team, new stars, new TARDIS even – but still Doctor Who.

Matt Who?

_45343466_newdocotr226There must be a lot of pretty happy bookies this morning. If you check out the posted odds against potential new Doctor Who’s listed on Outpost Gallifrey Matt Smith is not listed, indeed his name only appeared in the press as part of a BBC Breakfast item. From that it can be pretty safe to assume that the bookies won’t be paying out much at all now the eleventh Doctor has been announced.

It has to be said that the announcement came as somewhat of a surprise, perhaps most to the guys over at Doctor Who fan site Kasterborous who got a hot tip and announced Paterson Joseph as the new Doctor back in November, resulting in a bit of an embarrassing apology after the announcement yesterday.

The thing to bear in mind is that although the production team, especially Russell T Davies were making lots of press comment about the casting process during the pre-publicity for the Christmas show, the senior members of the production team were totally changing, so despite the seemingly random names RTD was throwing about, the decision was made by Steven MoffatRTD was told once the casting had been made, but had no input. The whole Paterson Joseph story seems to have started as a name amongst many, and his name in particular, partly thanks to his skin colour rolled up with events across the pond took off such that one bookie stopped taking bets on him as the new actor.

Throughout all of this, Stephen Moffat kept quietly out of the limelight, and pretty much as expected made his own decision, casting the person that he thought really nailed the part, Matt Smith, a rising star who whilst his work has impressed, hasn’t figured large with most of the general public. He is unknown enough that BBC News has done a special “Who on earth is Matt Smith?â€? item.

So what are my thoughts? I’m certainly inclined to trust the judgement of Stephen Moffat – they apparently saw Matt Smith second in the process, but carried on seeing a number of other actors, always coming back to Matt. Also, let us not forget that David Tennant certainly wasn’t a big star when he took the part, and earlier still Tom Baker was working on a building site when he got the part. Although well known actors have got the part in the past it is certainly not unusual for it to go to someone relatively unknown like Matt Smith.

Tying Up the Loose Ends

In talking about episode twelve of Doctor Who last week, I expressed the hope that we wouldn’t get a total cop out of a resolution to the Doctor regenerating cliff-hanger – so what did we get? A total cop out of a solution where the Doctor directs his regeneration energy into his hand in the jar. If the Doctor is able to partially heal and then stop the regeneration by redirecting remaining regeneration energy somewhere else, why hasn’t he done it before? It’s not as it it hasn’t been established that the Doctor has special healing capabilities before – the climax of Frontier in Space leading in to the beginning of Planet of the Daleks for example – however it wouldn’t have had quite such a big climax to lead into Journey’s End if they had done that. The regeneration energy is also needed as a vehicle for the creation of another Doctor from the hand in the jar, and to give Donna the abilities to save the universe, but also the reason why she must leave the Doctor.

Sadly, much as with last year, the cop outs extended to the way that the threat of the Daleks is dealt with. As the Doctor and his companions are trapped by Davros and the Daleks it becomes clear that Davros is very much not in charge – however this idea once started is just abandoned as the whole plan to destroy reality is defeated by a technobabble based solution revolving around a convenient machine in the Dalek base that allows Donna, now embrued with all of the Doctor’s knowledge having touched the hand in the jar, to remotely disable all of the Daleks, and for the half-human clone of the Doctor to destroy them all.

The previously unknown powers that might have been useful previously pop up again after this with the TARDIS hauling the planet Earth back home (although don’t thing too much about the effect of the Earth vanishing and then being hauled back into place might have on the rest of the solar system) and then in the final scenes the Doctor seems to be able to telepathically erase bits of Donna’s memory, again something that has not been seen before. This scene is equally frustrating because it is just rushed through – indeed it could be argued that Donna was mentally violated by the Doctor in that she is not given any choice about what happens – whether to die as a result of the effect of the merger with the Doctor’s mind, or to have those memories and all her memories of the Doctor removed, but to live. Certainly I think there would have been more pathos to the whole thing if Donna herself had to choose.

However, like much of the ending, it was rushed, as there were quite a lot of farewells to get in. First off, Sarah Jane heads off, then Jack heads back to Torchwood apparently taking Martha and Mickey with him. Rose and her mother are deposited back into their parallel world, along with the clone of the Doctor – when you think about it, a bit of a lousy consolation prize for the girl who has declared undying love for the Doctor, being left with his potentially unstable clone. All of this then leaves the Doctor heading off alone once again, as he has done at the end of each season aside from the first.

I think what bugs me most about this, is that much as with last year, and probably more than episode twelve, this is a reminder that Russell T Davies was a childhood fan of the show, and through his series finale episodes in particular he produces the kind of massive spectacular stories that most childhood fans produce. But having to produce a vaguely coherent story he then has to resolve all of these spectacular ideas, which is where the whole thing falls down. When you look back at episodes such as Midnight it is apparent that he can produce a good story, however all to often he goes for the big spectacle ideas that end up coming over as being not much more than fan fiction with a budget. When looking back at the last four years it is interesting to note that the well respected writers such as Steven Moffat and Paul Cornell are the ones that are producing stories that push the format with new ideas, and who generally avoid dealing with established characters or monsters. Whether Steven Moffat will continue to eschew established monsters, and especially avoid the kind of end of season spectaculars we have come to expect remains to be seen. If he doesn’t, we can only hope that Steven Moffat will realise that at the heart of the story we still need a coherent plot.

So were there any redeeming features? Once again, Julian Bleach delivered a fantastic performance as Davros, and certainly I hope he gets the opportunity to reprise the role, perhaps with a bit better plot to work with. Bernard Cribbins again gave a good performance in the closing scenes as the Doctor returns his granddaughter. Certainly you can’t help wishing that perhaps the character would have got at least one journey in the TARDIS during his time on the show. There were a few laughs during the programme too, with a running joke between Donna and Jack, and the return of characters such as Jackie and Mickey giving the opportunity for some reminders of previous relationships.

All in all, with the departures of Phil Collinson, Russell T Davies and Julie Gardner, this was very much a swan song episode for the three of them, tying up a load of loose ends and finishing up the stories for characters created during their era in charge of the show. Much as in the past, when the next full series returns in 2010, I’m expecting that it will feel rather different, as Steven Moffat makes his mark. Whilst there may be elements that will be carried over, certainly other things will be rather different – getting rid of fanfic style finales for a start we hope.

Forest of the Dead

Years ago when Star Trek: The Next Generation did a two part episode, it seemed to be almost a given that part two would be a bit of a letdown, that the exciting cliff-hanger built up in part one wouldn’t go anywhere much in part two. Steven Moffat on the other hand seems to produce second parts that whilst they aren’t more of the same, are still equal to the first part.

Take his episode of Doctor Who shown yesterday, Forest of the Dead, the conclusion of Silence in the Library. Whilst it continued from the end of the previous episode, the focus was rather different. The major focus last week had been on the Vashta Nerada, who this week were there as a threat, but with little further exposition, indeed by the end of the story they had not been defeated, but instead the Doctor had negotiated a truce with them in order to give him the time to rescue the four thousand people who had been saved by the central computer when the library had originally been taken over.

This time the main focus of the story was on Donna, who had been saved by the computer, and was starting to live within the virtual reality within the computer itself. We also discover that the girl seen previously is in actual fact the preserved consciousness of a dying child, who had saved the occupants of the library, but was now struggling to keep the four thousand personalities in check. The mysterious Doctor Moon is in actual fact a representation of the moon of the planet, an artificial satellite placed in orbit to maintain the computer core.

Whilst Donna is trapped in this virtual world, in the real world the temporal paradox around the Doctor and River Song is deepened when in order to persuade the Doctor that he should trust her, River reveals that she knows his real name – one of the longest running mysteries in the series (the title of the show is actually a question – Doctor who?) – needless to say it doesn’t get revealed to us the viewer. However the revelation is enough for the Doctor to trust her, to the point that he is caught out when she knocks him out in order that she might sacrifice herself to save the saved people of the library, rather than the Doctor. All is not lost however as thanks to the temporal paradox, the future Doctor knows when River is going to die, and has rigged the sonic screwdriver he gives to her to save her consciousness, allowing his past self to transfer her into the data banks of the computer.

Despite River spending most of the episode carrying around a book of spoilers – stories of the Doctor’s future, he doesn’t look. The most he gets is a description of the last time River met the Doctor, and the knowledge that the TARDIS doors will open if the Doctor snaps his fingers, something he tries out at the end of the episode. The Doctor deliberately leaves the book behind as he leaves, although we the viewer, if you are quick with the pause button get a little glimpse at the very end of the episode as we look over River’s shoulder as she reads from the book…

So after a tour-de-force from the new lead writer of the series, for the last four episodes we are back with the current lead writer, Russell T, with firstly a pair of lead character light episodes, Midnight being mainly the Doctor, and Turn Left being companion focused featuring Donna and the much anticipated return of Rose.

Incidentally, if you weren’t up and watching TV this morning, you would have missed David Tennant talking about (amongst other things), his upcoming turn as Hamlet, plus a bit about Doctor Who, including the standard “when are you leaving” question, to which he gives the usual answer! However, you can catch up with the interview thanks to the BBC News website.

New Doctor Who Executive Producer Confirmed

So after months of speculation, the BBC has finally confirmed what most fans suspected, that Russell T Davies will be handing of the reigns of Doctor Who for the fifth season – the second part of the rumour is that David Tennant will be leaving at the same time, which hasn’t been confirmed or denied.

One aspect of the discussion about Russell leaving, was always a discussion about who would replace him in the job of executive producer and lead writer. The hope amongst fans was always that Steven Moffat, as the writer who has produced the most consistently good stories throughout the new series, would be persuaded to take the job, but many thought it unlikely that he would. I’m pleased to say that he has been persuaded, and has been typically humorous in his quote on getting the job:

“My entire career has been a Secret Plan to get this job, I applied before but I got knocked back cos the BBC wanted someone else. Also I was seven. Anyway, I’m glad the BBC has finally seen the light, and it’s a huge honour to be following Russell into the best – and the toughest – job in television.

The arrival of a new producer in the past often sees a change in direction or focus, and I suspect this changeover will be no different. Quite what will happen I don’t know, but certainly if his previous contributions to the series, and his other work on series like Jekyll, I, and I expect most of the fans have pretty high expectations – as he has said, one of the toughest jobs in television, with probably one of the most vocal fanbases too. Good luck Steven!

Nebula Award Nominations

The nominations for the Nebula Awards are out, including a nod to Steven Moffat and Doctor Who, with Blink nominated in the script category. What is perhaps a surprise though is the inclusion, alongside Blink and a selection of major film scripts, of the script for an internet only Star Trek fan film, with a nomination for the Star Trek: New Voyages episode World Enough And Time.

“Oh No, You’re… A Fan!â€?

First off, for those of you outside the UK, the special episode has been posted to YouTube – well at least until it gets taken down again!

So I’ve just watched our little November snippet of Doctor Who in the form of Time Crash, this years Children in Need special. Now it has to be said that in the annuls of Children in Need there have been some real stinkers in terms of Doctor Who crossovers – Dimensions in Time anyone? But as with the special two years ago, this one has been produced by the current Doctor Who and fits into the established continuity, in this case it sits in the cut shortly before the end of the last episode.

This time round the mini-episode is written by Steven Moffat, who in the course of the seven minutes provides some laughs – including a couple of jokes about the celery, the glasses, and Belgium – a plot that vaguely makes sense that fits in with it’s point in the series, and even explains how the Titanic can crash into the TARDIS – something that caused much discussion in fan circles earlier in the year. He also manages to come up with an plot explanation as to how Doctor number five looks twenty-five years older, plus chucks in a stack of back continuity for the fans too. From a long time fan point of view it was great, and a good few were probably wiping away a tear at the “you were my Doctorâ€? line at the end.

Hopefully it was entertaining for the non-fans and the new fans too – and of course hopefully raises a goodly amount of money for Children in Need too. If anything it certainly cements Steven Moffat as the best of the new series writers in managing to pull it all off. Incidentally, you can also check out the special behind-the-scenes video as well, where you can see several of the current team drop into total fanboy mode…

“To days to come…”