Invasion

One of the many treats for Doctor Who fans this Christmas, particularly those who appreciate the original series is the release on DVD of The Invasion an eight part adventure for Patrick Troughton’s Second Doctor featuring the Cybermen.

As the story opens, the Doctor is having problems with the TARDIS, which materialises above the dark side of the moon. Unfortunately it’s presence is not welcome, and a missile is launched at the time machine, with the the Doctor evading it just in time. The TARDIS comes to rest in a cow filled field, and with the Doctor needing parts to fix the fault, the TARDIS crew have to go off to find someone to help. The Doctor and his friends head for London to look up an old friend, but find that he has gone away, leaving his home in the care of a Professor Watkins and his niece – but Professor Watkins has disappeared whilst working for International Electromatics. The Doctor goes to investigate, and discovers that Tobias Vaughn, the sinister head of International Electromatics is working with the Cybermen to conquer the world. Vaughn believes that he can use the Cybermen, who he believes want only the natural resources of the Earth in order to gain power, and has been using Cyberman technology to infiltrate key government roles in order to keep his plan secret. Over a number of months he has been bringing the Cyberman army to Earth and hiding them in the London sewers. However the Cybermen have other plans, and want to convert the entire human race to Cybermen, and tell Vaughn that he can only lead the Earth once he has been converted. Ultimately Vaughn realises that he cannot control the Cybermen and joins with the Doctor to defeat them.

If that plot seems somewhat familiar, it should, as it is remarkably similar to the plot of Rise of the Cybermen, a similarity I commented on at the time that episode was first shown. Aside from the difference that John Lumic the sinister head of Cybus Industries creates the Cybermen in the later story, a significant number of plot elements are the same. The take-over in both stories is by means of secret circuits in electronic devices, in both stories the wealthy industrialist believes he can control the Cybermen but ultimately can’t, there are even quite subtle similarities, for example in both stories the industrialists have a loyal assistant who doesn’t want to be taken over, and in both the industrialists whilst having been augmented by cyber-technology, ultimately do not want to be fully converted. The production team for Rise of the Cybermen acknowledged the similarities between the two stories by naming the transport company that move the Cybermen International Electromatics after the company in the original story.

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The major selling point of this DVD though is that this is the first release of the complete story. Whilst The Invasion was released on video in 1993, the missing first and fourth episodes were replaced with Nicholas Courtney explaining the missing plot, this time, as I mentioned a few months back the missing episodes have been recreated using the original soundtracks of the episode which have been preserved, and animation produced by the team at Cosgrove Hall.

I have to say that the new animated episodes look great. Ironically in certain respects I think they look better than the original episodes. For example the strange alien machine that Vaughn uses to communicate with the Cybermen first appears at the climax of the first episode, so appears animated, and looks decidedly better than the shot of the actual prop that appears in episode two. Having said that, the big disappointment for the animators I bet was that they didn’t get much opportunity to animate Cybermen, as their first appearance in the story is in the final scene of episode four. Certainly you can understand why the animators chose the scenes they did for the initial trailer now.

That actually serves to highlight one of the big differences between The Invasion and modern Doctor Who – this is very slow burn. The presence of the Cybermen is not revealed until the very end of episode four, with the first four episodes being the Doctor investigating International Electromatics, and whilst you subsequently discover that he gets pretty close, the monsters don’t actually appear. Episodes four to eight are the Doctor dealing with the actual invasion, complete with creepy encounters with Cybermen in the sewers, and the iconic images from the story with Cybermen on the steps of St Pauls. Strangely enough though for such a long story, elements of these episodes seem decidedly rushed – on several occasions you get key moments in the defeat of the invasion which are referred to but not seen, and even the final scene where the Doctor and his friends leave to a new adventure seems very quick. Maybe I’m just getting rather used to the longer character moments we have in the new series.

Having said that, it is an excellent story, and it is great to be able to see the whole thing once again. The story came at a key moment in time for the series. Patrick Troughton had decided to leave, and with the advent of colour TV, the producers had decided to make the series more Earth based, because they believed (rather as the team does today) that they didn’t have the budget to do alien worlds justice. As such The Invasion can be seen as a pilot for the UNIT stories that followed during the third Doctor era. So as both a key point in the development of Doctor Who, and a great story in it’s own right, it is a definite must own purchase for a Doctor Who fan.

Published Pictures

Apple Theatre

If you take a look at the news pages in the latest edition of Mac Format you’ll notice a two page article about the recent Mac Expo including four pictures. Aside from the main shot of the Mac Format stand, the other shots might be familiar if you’ve taken a look at our small gallery of our pictures from the event – indeed if you look at the photo credit on the page, it’s my name on there!

I got an e-mail from one of the editorial staff at Mac Format last month. I’m not quite sure of exactly what happened, but there was some issue with their photographer and the pictures he had taken of the event, so the editorial staff had taken a look through Flickr for anything suitable and had come up with the shots I’d snapped off on my mobile phone! Although looking at the magazine you can tell that my pictures aren’t quite to the same standard as the professional shot on the other page (the lighting and colour isn’t quite the same for a start), it certainly is a testament to the quality of the camera in the K750i that some of my quick snaps are able to be used in a professionally produce magazine, I assume without too much modification.

Look Who’s Top

So having been released on Monday, guess what is top of the chart for iTunes downloads, and has been all week – Murray Gold’s Doctor Who Soundtrack Album. It also has an almost perfect run of glowing reviews, with only one person knocking off a mark for the fact that the recording of Song for Ten isn’t the one that was used in last years Christmas episode, but a new arrangement.

Anyway, looking at the track list there is a broad selection of extracts from the first two seasons of the new version of the series. Unlike the bulk of the eighties series, with their largely electronic incidental music produced by Radiophonic Workshop, and subsequently Keff McCulloch, Mark Ayres and Dominic Glynn, this soundtrack is much more orchestral, however not nearly so orchestral as the John Debney soundtrack for the ill fated Doctor Who television movie in 1996.

The album also shows the benefit of having a single composer for the whole series, so track 3 of the album is the Doctor’s Theme, a haunting, mournful solo soprano, variations of which you often find intertwined into other tracks throughout the album, and track 14 is Rose’s Theme elements of which appear at key moments for her. But having a single composer certainly doesn’t mean that everything sounds the same, with styles varying widely from the electronic heavy music from Tooth and Claw, through to the classical themes for Madame de Pompadour and the beautiful piano themes for episodes such as Father’s Day. Amongst the other gems on the album you also get the doom laden choral theme for The Daleks, and the memorable solo strings for the Impossible Planet. Alongside that you also get two songs – Song for Ten and Love Don’t Roam – the first, as previously mentioned coming from Christmas Invasion, the second due to appear in this years Christmas episode The Runaway Bride.

Last but not least, the album includes two versions of the main title theme, opening with the 41 second main theme used on the programme, and ending with a full version, parts of which have been used as the closing theme throughout the second season. However, I still have to say (and I know I’m in a small minority in this) that I’m with John Debney in that the arrangement needs to be changed to get a good orchestral version of the theme. Whilst part of Murray Gold’s brief was to keep it close to the original theme, the John Debney version changes the arrangement significantly, lowering the tempo and opting for purely orchestral, and is all the better for it. (Of course the ultimate version of the theme still has to be Bill Bailey’s Belgian Jazz version…)

Having said that, the Doctor Who Soundtrack by Murray Gold is an essential purchase for any fan, and is certainly a great listen.

What’s in a Name?

So having taken the decision to switch to the WordPress hosted service, rather than hosting on his home connection so as to allow more time for writing, Beth’s brother has been putting it into practice! After last week explaining why he is blogging, this week he’s explaining the name of his blog, Memetic Syns.

Unfortunately, for those of you looking for a similarly big explanation of the name of this site, I’m afraid it falls into the quirky, no explanation, writer whim category!

By the way, if you’re browsing our site through a mobile browser such as Opera Mini, you’ll find that the site looks a little different. I’ve installed the WP-Mobile plugin from Alex King, which checks the browser looking at the site, and if it is listed as a mobile browser, presents the site using a low bandwidth theme, that should render quicker than the usual K2 theme.