A Brief Trip to Belgium

Brasserie in Corsendonk

This week I had a brief visit to Belgium in order to attend a project kick-off meeting with one of our customers. Myself an a colleague took the Eurotunnel over on Wednesday, attended the kick-off meeting on the Thursday morning, and headed back home on Thursday evening. The travelling wasn’t too bad as it was motorway all the way, and aside from getting caught up in traffic around Antwerp both ways, it was fairly free moving.

The real treat of the trip though was the hotel. When the customer sent us a map to our hotel, it placed it somewhere in the centre of Out-Turnhout. However the confirmation from the hotel had a different address – Priorij Corsendonk or Corsendonk Priory. It turns out that the company that owns the hotel in town, also owns the old priory in the village of Corsendonk, which it now operates as a hotel and conference centre, and this is where we had actually been booked in.

After the several hours on the road driving the three hundred or so miles from home, the village of Corsendonk was delightful – with almost no traffic, and very peaceful. The village is small enough that the addresses in the village only have a number – the roads have no names, so the brasserie – Corsendonk Hof – where we had dinner was number 2, and the priory itself is number 5. The priory has been very tastefully restored, retaining a number of original buildings, but with some additional more modern blocks for accommodation. We had modern ‘monks rooms’ – read single rooms – in one of the new blocks, however we did go up to the main priory building for breakfast.

The hotel is in the Flemish part of Belgium, and whilst he doesn’t speak Dutch, the language in that region the colleague I was with spoke pretty good French, the other national language in Belgium – however it transpired that he spoke significantly better French than most of the people we met. In most cases they preferred to speak to us in English both in the hotel and on the customer site. As is common, there were points where the English translations were slightly strange, for example, what do you suppose is Turkey on Spies?

There was also a decidedly strange paragraph on noise nuisance in the hotel information…

The farmer across [the road from] the hotel possesses a cannon that starts working in case of thunder and hailstorm in order to protect his apple trees from hailstones and other unpleasant things that can occur during intense thunder showers. That is why it can happen that the cannon goes off at night. In case of other noise do not hesitate to notify the reception so that we can help wherever necessary.

Now I’m not quite sure whether cannon is a mistranslation or what – but having worked in the past on a project that managed to translate ‘Company’ as in corporation to the German word for ‘to keep somebody company’ – I know how easy it is to mis-translate one word and produce un-intentional hilarity for native speakers of whatever language it is. But then what do I know, maybe the farmer over the road really does have a proper cannon!

Having said that, we weren’t woken by the farmers cannon, and it certainly seemed like a nice spot either for a break, or for a conference. The hotel has an English website and you can find a few snaps in and around the priory in our photo galleries.

24 Hours of Flickr – London

So after a bit of discussion, we decided to head off into London to attend the 24 Hours of Flickr London event. Although it involved dashing home from work, and an hour on the train each way the prospect of seeing my picture hung on the wall, as the pictures had been at the Berlin and Paris events was just rather tempting.

Flickr Logo

I managed to make it home from work pretty promptly, and we headed straight down to Fleet station. Thanks to some early-bird commuters heading home we even managed to get a space just beyond the reserved parking in the car park. Unfortunately things didn’t go quite so well after that. There was one person in front of me in the queue, an old gentleman buying a ticket for tomorrow morning. The reason he was doing that was because they now will not sell the reduce priced tickets on the train. If you’re lucky they’ll sell you a full price ticket – if you’re unlucky they’ll give you a penalty fare. As a result, there is now a sizeable queue at the ticket office whenever a train arrives with people buying a ticket for tomorrow. Anyway, after grumbling about this for a bit, he was then told about the other new South-West Trains policy – super off-peak fares. In actual fact what they’ve done is hiked off-peak fares towards London by 20% and introduced a new super off-peak band that comes into force at lunchtime – anyway, that produced another grumble. With all that grumbling we got our tickets just as the next train to London pulled into the opposite platform, and typically the guard closed the doors and the train pulled out just as we made it to the stairs down off the bridge. We caught the next train, and made it to the event just before 8pm.

Flickr had taken over the foyer area inside the Manton Entrance of the gallery on Atterbury Street. The reason for the choice of venue being that for the first time Tate Britain was hosting an exhibition of photography – How We Are, with photographs stretching right from the dawn of photography – right up to a PC connected to Flickr itself as the final exhibit. Alongside a selection of Flickr freebies, they were also giving away copies of the book, plus a selection of nibbles and free drinks. All very nice. The only disappointment was that the only place that 24 Hours of Flickr pictures were being shown were on a plasma screen – they didn’t appear to have the big blown up versions of the book pages that they had shown at the other events. To be honest there was nowhere that they could have shown them, but it was still a bit disappointing.

Page 64

So in lieu of a gratuitous shot of me by my picture, I’ve got a shot of my picture in the book. It’s in amongst a selection of wedding pictures not surprisingly.

The rest of the book has a massive range of pictures, covering a broad spectrum of subjects. Unless you can get to the last of the events in Montreal, the book is available from blurb.com – my picture is on page 64. 😀

After a browse round the How We Are exhibit, we headed back to Waterloo and the train for home. A bit of a lightning visit – but enjoyable – even if I didn’t get to see my picture actually hung in the Tate…

Update: The posts on the event are starting to come in – check out technorati for a selection. Being a Flickr event, there are lots of pictures too, the most interesting of which includes the page with our picture on it as a result of two of the other wedding pictures being taken by different people at the same event – apparently not the only coincidence like that in the book!

Andy Piper also highlights that the guys from Moo who produce the cool little Moo MiniCards from pictures in your Flickr stream were in attendance. Beth has recently ordered a set using some of her pictures, and absolutely loves them. She actually came home with a few more, as amongst the freebies last night were a selection advertising Flickr

Steven Moffat Take a Bow

After the excellent Jekyll on Saturday night (of which more later), we got evidence that Steven Moffat’s Doctor Who episode from last week, Blink is going to be single handedly responsible for the nightmares of a generation… Up at Church last night, one of the children after the service runs up and grabs hold of her Mum’s hand saying “Mummy, I’ve seen a weeping angel.” – “Well make sure you don’t blink!” comes the answer…

New Vicar for St Mary’s

A couple of months ago I posted about taking a look at the Parish Profile for St Mary’s Rickmansworth, following the departure of Stephen Mepham their previous incumbent. I’m glad to report that their search for a new priest was successful, and Rev Deborah Snowball has been appointed as priest-in-charge – although invariably everybody will probably still refer to her as the vicar!

Continuity Error? Or Something Else…

Watching Doctor Who didn’t seem to do anything to resolve the apparent continuity error between End of Days and Captain Jack turning up at the beginning of Utopia.

This You Tube video highlights the issues:

If anything tonight’s episode adds more to the error as during Utopia it transpires that Jack is carrying the Doctor’s hand in his bag – and yet as the camera pulls back at the end of End of Days, the Doctor’s hand is still sitting in the hub.

There has been quite a bit of speculation as to whether the TARDIS appearing at the start of Utopia and Captain Jack leaving in End of Days are the same, or different events. I was leaning towards them being the same event, but with a continuity hiccup between the two series. However with the Master taking the TARDIS at the end of Utopia, which includes the container with the Doctor’s hand – plus the knowledge that the Master is Mr Saxon and has been around for a while on Earth, maybe Gwen’s line at the end of End of Days is absolutely right – he has been taken, deceived by the the Doctor’s hand reacting to the presence of itself – and the Captain Jack who climbs aboard the TARDIS in Utopia is a future Jack

Of course, it could just be one great big continuity mistake, but with the somewhat intricate plotting that Russell T puts in place for these story arcs – references to Mr Saxon go right back to Love and Monsters – I’d be surprised if he let such a significant continuity error through.