“Surprise” Return?

The trailer for Doctor Who next week started showing tonight – I notice that aside from a fully lit shot (for that see the Sun) – they are not bothering to try and hide the “surprise” return of Davros much any more…

Also from the flashes of faces in the trailer, it does look like this is going to be a three-way crossover between Doctor Who, Torchwood and Sarah Jane Adventures – whether it will be brief cameos or something more we’ll have to see, but with that many people, and a load of returning characters from the main series I doubt there will be a lot of screen time for many of them.

Fingers crossed that in amongst the cross overs and guest stars RTD left room for a decent plot – it has got Graeme Harper directing which is a plus, and the trailer looks good though…

What If?

Doctor-light episodes seem to have become a way for the Doctor Who production team to do something a bit more experimental. This has happened right back from the early days when a lead actor needed to take a break the Doctor or his companions would find one or other of them turned invisible as in The Celesital Toymaker, transformed temporarily into a different actor as occurred in The Mind Robber or imprisoned as happened in The Time Meddler. In the new series we’ve had a couple of Doctor light episodes where the main cast gets involved in the story but the core characters are separate. This year we had a pair of stories, with Donna taking a break last week, however it is rather more difficult to sideline the Doctor in the same way.

In Turn Left the chosen route was a classic alternative history story, exploring what would have happened if Donna had not taken the job where she initially gets involved with the Doctor. As a result, she is not present to snap the Doctor out of his almost trance like state during the climax of The Runaway Bride, and in the alternative version of events the Doctor dies during the encounter. Throughout the rest of the episode we see key events in the series through the eyes of Donna as an ordinary person. So the events of Smith and Jones are seen, but Martha Jones dies, and it is Sarah Jane Smith who gets involved, and again she doesn’t make it out alive. The next big event series wise is the return of The Master, but of course since he is released by the Doctor after the events of The Runaway Bride, in this alternate reality he is still trapped in the far future. Next up without the Doctor, the replica of the Titanic does smash into London, wiping out millions and plunging the UK into chaos. Thanks to a bit of intervention from Rose Tyler, Donna is safely away in the country. Moving on to the latest stories, the Adipose don’t much affect the crippled UK, and with petrol rationed, the Sontaran Stratagem has much less of an effect, but it is Captain Jack and Torchwood who help defeat that threat, but again at the cost of their lives – the immortal Captain Jack is left stranded on Sontar.

All of this goes towards removing all the possibilities for salvation when towards the climax of the episode stars in the night sky start to disappear as part of what Rose refers to as the approaching darkness. Using the last remaining power from the TARDIS, which UNIT had salvaged, but which following the passing of it’s owner is slowly dying, Rose sends Donna back in time to stop her past self from making the fateful decision that leads her away from the Doctor, turning right rather than turning left. Ultimately Donna sacrifices herself in the alternate timeline, and as she lays dying, Rose appears once again and whispers two words to tell the Doctor.

Much as with Utopia last year, episode eleven was very much about putting things in place for the series finale. With that episode as with this, it is the last few minutes of the episode that are key. This time around the big reveal moment is when Donna repeats the whispered words which both confirms the identity of Rose, and also highlights the importance of what is happening – Bad Wolf – the words that Rose scattered through time to guide herself and the Doctor towards their fateful battle against the resurgent Daleks. In much the same way, from the glimpses in the trailer, it seems the last Dalek who escaped at the conclusion of Evolution of the Daleks may have started anew – perhaps with a little help – and once again Bad Wolf is guiding the Doctor and his companions towards another battle, and again from the clues laid down in this weeks episode, the cost is going to be high.

What made the episode, was the big conclusion, and the expectation it produced for the finale. Despite some strong performances, I thought the rest was pretty derivative. The “What Ifâ€? idea has been done in a lot of other series, and whilst it was interesting to see the alternative history, it was in some ways pretty predictable, and a lot of the episode was very much a whole series of continuity references for fans – and yet another temporal paradox. The almost messianic idea that Russell has used previously was clear as well, everything is bad without the Doctor. What might have been more experimental would be if some things had actually been better had the Doctor not been involved. The giant beetle monster and the whole concept of what it did really didn’t hang together overly well either – and the question of how a dying Donna in the alternate timeline that ceases to exist was able to give a message to the Doctor is something that really doesn’t make sense either. As the SFX preview of the finale has said cramming an episode with continuity references entertains the fans, but sometimes when you look at it rationally, peeling back the references, there isn’t much underneath – sadly my opinion this week was that it was primarily a vehicle for the fan pleasing references, and didn’t do much underneath. Hopefully things might be better next week.

Turning to next week, it looks like we’re going to get multiple trailers, the first of which is online already.

Yahoo! Go Flickr Gone

Amongst the sites I’ve been using on my iPod Touch quite frequently has been Yahoo! Go Flickr, a nice AJAX interface to Flickr that is distinctly superior to the normal Flickr mobile site, and nicely formatted for the portrait screen on the iPod. However when I tried to access it a couple of days ago, I got a site not found error, and that is all I have got ever since. It’s a bit of a shame if it has gone, but then with the launch of the App Store, maybe there will be a better way to access Flickr on it’s way.

Bye Bye Bill

Even if you don’t much like Bill Gates, you can’t deny the influence he has had on the world of computers. As such, his decision to change his focus from his work at Microsoft to his charity work merited a special, hour long edition of The Money Programme, shown last night, looking back at his time at Microsoft, and forward to what is to come.

Programmes about Bill Gates have a chequered past. Often in order to get an agreement to interview the man, there appear to be so many restrictions that the final programmes appear to be pulling their punches, and largely become an advert for the man and the company. The Money Programme had apparently negotiated long and hard to get the interview, as such it certainly was a friendly interview. However, it did seem that they had got some flexibility this time around, as unlike some interviews in the past there were some questions over past events that sometimes get avoided – the multiple court cases being a key example – needless to say Bill Gates feels that the company acted properly and that it was their treatment by the various governments that was wrong rather than what his company did to rivals such as Netscape, but questions were asked none the less.

The programme also featured some critical voices, putting the other side. In particular Mitch Kapor, founder of Lotus Software and chair of the Mozilla Foundation, both organisations that have been in competition with Microsoft over the years. Mitch is pretty clear what he thinks of some of the tactics, in particular the advantages that Microsoft gained over his company by writing software for an operating system that they also produced. It didn’t go into that much detail, but the contrary point was able to be made.

We also got some glimpses of the man at work, showing Bill reviewing projects, and comparing that with older footage, indicating that perhaps Bill has mellowed somewhat in the way that he reviews – somewhat quieter and with rather less shouting! The picture it painted of the company was interesting, with the presenter commenting on how much of a focus Bill Gates is within the organisation, and posing the question of how things might be different. We also heard from some of the early staff at the company, and even a contribution from Sir Alan Sugar talking about Amstrad entering the PC market and negotiating with Microsoft. They even had a contribution from IBM, and whether their decision to allow Microsoft to separately license the OS for their machine to other companies was a good or a bad move.

The programme didn’t limit itself to business views. Bill Gates senior appears. Decidedly unhappy when his son dropped out of university to write software, eschewing a good career as a lawyer, he is rather happier about it now, and assists his son with his philanthropy. We even get to see the school where Bill started writing software on punched cards – although amusingly one shot of a class full of laptop using students at the school had one right in the centre with a Mac…

By virtue of the fact that Gates approval was needed, this was never going to be a massively probing interview – certainly being the Gates version of history the infamous dismissal of the rise of the internet as a serious event followed by a swift turnaround, was re-crafted as Gates sending an e-mail to all staff announcing a change of focus in the company, without mentioning the major rewrites that were made to Gates book The Road Ahead.

Talking about the road ahead, the programme comes right up to date looking at competition with Google, and the ill-fated attempt to take over Yahoo.

For those in the UK the programme is available for the next week on iPlayer, for those outside, there is a bit of the footage on the BBC News site. If you missed it, even for the flaws, it’s still an entertaining insight, and well worth a look.

Something Different

It’s good to be surprised from time to time, and a surprise was exactly what we got when we watched Doctor Who last night. The episode that went out was the first of the last block of four, all written by current lead writer Russell T Davies, and it has to be said that there are a good few people who don’t look forward to his contributions, indeed some people actively avoid watching now. Therefore it was a rather pleasant surprise when Midnight turned out to be probably one of his best scripts, taking a small cast, limited sets, and a simple idea and turning it into a very creepy episode.

As with previous seasons, by this point of the filming schedule they have to make two episodes simultaneously. In previous years episodes such as Blink and Love and Monsters have had minimal contributions from the main cast, this year the programme is doing something slightly different so this week Midnight was the first story since the Deadly Assassin to feature a main narrative where the Doctor has no companion, and also the first since Genesis of the Daleks where the TARDIS does not appear at all. Next week the Doctor will have only a minimal contribution, with companions Donna and Rose carrying the main story.

Perhaps the reason why Midnight is so creepy is because there isn’t a monster as such. The Doctor and Donna are relaxing on the planet Midnight, a place which is bathed in deadly radiation that would vaporise any living thing that walked on the surface. A leisure corporation placed a holiday resort on the surface, and runs tours to see some of the amazing sites on the planet. The Doctor decides to join one such tour to see the amazing Sapphire Waterfall, leaving Donna behind. Thanks to the deadly radiation, the tour shuttle is totally enclosed, leaving the passengers unable to see outside for the four hour trip, however part way through, the transport mysteriously stops, and the driver reports seeing a shadow moving outside. Then the passengers hear something hitting the outside of the metal transport – at first they think it might be rocks – but they are rocks that repeat the knocks they make on the inside. The transport is then violently shaken, and the power fails, at which point one of the passengers starts acting very strangely and repeating everybody else, getting to the point where she is simultaneously speaking with everybody else. The Doctor attempts to take charge, arguing that this is a new lifeform that should be understood, whilst his frightened fellow passengers demand that the possessed passenger be thrown outside. As the Doctor rapidly loses control, he too is possessed, and the passengers decide that he too should be thrown outside.

During the whole course of the episode you neither truly find out exactly what the creature is, nor do you actually see it – all the time it is merely possessing other characters. It doesn’t actually do anything particularly threatening either except repeat the words of other characters, but it is this repeating that builds the tension and adds to the fear. Compared to many Russell T Davies scripts it is a much more adult story, very psychological, and relying on characters rather than special effects – as guest star (and son of former Doctor Patrick Troughton) David Troughton said on Confidential, it was much more of an old style episode that we’re used to now. As such I’m not quite sure how it would have been received by some of the younger fans of the programme, however I suspect it will be a nice counterpoint to the Dalek/ex-companion-fest that we’re expecting over the last three weeks of the season.