Tag Archives: Martha Jones

The Sontaran Stratagem

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Last night, The Sontaran Stratagem marked the return of another of the classic Doctor Who monsters brought back for the new series – this time being one of Russell T’s acknowledged favourites, the Sontarans. Much as with the other returning monsters the advances in prosthetic effects, and the much increased budget for the new show have made a big improvement, so rather than the rather scruffy costumes from the monsters last appearance back in The Two Doctor’s this time there really did seem to be a vast army of cloned warriors ready to take over the planet. The same can also be said of this episode’s other returnee – UNIT (now renamed the Unified Intelligence Taskforce to remove the United Nations references) who unlike the fairly small contingent of troops that used to be seen onscreen in the past rolled up with a much increased number of troops giving a much more convincing army unit.

In many ways this episode was a classic Doctor Who/UNIT set-up, with a less than enthusiastic Doctor placed against Colonel Mace filling the familiar place in proceedings that in times gone by would have been occupied by Nick Courtney as the Brigadier. In much the same way Mace and the Doctor frustrate each other as the one tries to run his military organisation remaining sceptical to what is going on whilst the Doctor in familiar fashion appears like a whirlwind through a well organised plan. As at the end of this first episode of the two-parter the bulk of UNIT have yet to come face to face with the Sontarans, but I’m sure amongst the raft of other in-jokes that we can expect Mace to be ordering his troops to fire “Five rounds, rapidâ€? at the small chaps in the blue armour!

At this point in the proceedings, the actual the Sontaran plan is still unclear. The episode opened with an undercover reporter being thrown out of a school for the gifted, run by Luke Rattigan, a gifted child prodigy and millionaire. Amongst other things, his organisation has developed the ATMOS system, that cleans all carbon from car exhaust fumes, and also provides satellite navigation. The reporter, driving away tries to turn off the system, but can’t, discovering too late that it can also take over full control of her car as it plunges her into a river. The the Sontarans are providing Rattigan with assistance to produce these new devices – as we discover at the climax of the episode the ATMOS system also is the key to the Sontaran invasion plan, producing poisonous gas from installations in millions of cars across the globe. They also have the ability to clone humans – at one point cloning Martha Jones who also makes a return appearance in this episode. Previous Sontaran episodes have highlighted the strategic importance of the Earth in the ongoing war with the Rutans, so perhaps this will become more clear next week.

Unlike the new Cybermen for example, the Sontarans are very much an updating of the creature, rather than a reboot, so there are still the humorous elements of the creatures that go right back to Robert Holmes original ideas where we get a great build up of military bluster from General Staal, before the Doctor briefly incapacitates him using a squash ball to injure the probic vent on the back of the General’s neck. Much as before the creatures singular military focus is actually shown to be a weakness at times, perhaps paralleled by the same limitations with regards to UNIT operating through a military view.

The next episode preview of course doesn’t give much away. Certainly it looks as though UNIT and the Sontarans are going to meet face to face. It’s probably fairly certain who will ultimately win – but at what cost? New Doctor Who has always shown the personal impacts of life with the Doctor on those left behind, and with the comments that Martha makes at one point I can’t help thinking that some of that may be coming the way of Donna and her family.

New Series Countdown

After weeks of only having shaky in-cinema recordings of the preview trailer, the BBC have posted a copy of the Doctor Who Season 4 trailer to YouTube – less than two weeks to go now, April 5th is the date for the diary.

There is a brief glimpse of the Sontarans fighting UNIT soldiers, giant wasps for all the insect-phobic, a nice shot of what looks like an ice planet, lots of running, explosions, a very wet looking Martha, and Rose appearing right at the end.

The Daleks don’t appear in the main trailer, but instead they get their own teaser trailer, alongside similar trailers for the Sontarans and the Ood – the three big recurring monsters for the season.

Expect more gratuitous Doctor Who postings to come over the next couple of weeks. 😀

Calling Doctor Jones

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It’s funny, however many times I see Alan Dale playing the bad guy, as he has done in a number of shows, and does again in the second of this weeks Torchwood episodes, I still think of him as nice old Jim Robinson from Neighbours

Anyway, in Reset, the episode of Torchwood that went out on BBC3 straight after Adam, he was anything but nice old Jim Robinson. Dale plays Aaron Copley, an ambitious research scientist who heads up the Pharm, a medical research company that have developed a drug called the Reset, that can cure any known disease instantly. Torchwood start investigating Copley and the Pharm after a random selection of people start turning up dead – with their medical records wiped. After some investigation they discover that one victim has been cured of his diabetes, and another person having survived her attacker claims to have been cured of HIV.

By this point, Torchwood have already called in the cavalry, in the form of Martha Jones, who has now completed her medical degree, and thanks to the Doctor it seems, is now a medical specialist for UNIT.

Working with resident medic Owen, Martha and he discover that the miracle cure is thanks to an alien parasite that hosts it’s larval form within the human body – a larval form that cleanses the body of anything harmful in order to protect itself. Unfortunately, the larval form eventually develops into a giant insect – hence the Pharm is going around assassinating the former test subjects and wiping their medical records before the insect aliens hatch.

The Torchwood team pay a visit to the Pharm, detecting vast numbers of alien creatures on the site – and opt to send Martha in undercover to obtain more information.

After the relatively character and concept driven Adam, Reset was very much back to the action with needle wielding assassins, giant mayflies, contact lenses worthy of James Bond, and with the arrival of Martha, lots of Doctor Who references for the fans to spot. There was even a big shock at the end, certainly one I wasn’t expecting…

In some ways the episode explored a similar theme to Meat in that it was showing humans exploiting aliens for their own gain – this time for medical and scientific advancement. What is interesting to note though is the change in Jack’s attitude this time around. Whereas in Meat he was very much for saving the giant alien whale, and seemed genuinely upset when Owen kills it out of mercy, this time Jack’s plan when faced with a research lab filled with exploited and in Jack’s words tortured aliens, he instead opts to destroy the whole facility, killing all the aliens in the process.

The big difference though is that in Meat the alien creature is being exploited purely for the financial gain of the humans involved. Here, Aaron Copley argues for the higher purpose – that the ends justify the means – as he is exploiting the aliens to provide cures for incurable diseases, to help humanity.

Torchwood certainly seems to have come a long way since the Welsh cannibals of last season…

The Last of the Timelords

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So after all the speculation, we now know what happens. The Master has been defeated and is dead (or maybe not), Martha is back with her family, Jack is back with Torchwood, and the Doctor is back travelling the universe.

As the episode opened, time had moved on by a year from the cliff-hanger at the end of A Sound of Drums. The Master and the Toclofane have absolute control of the world, enslaving the human race to build a fleet of war rockets to take over the universe. The Doctor, having been aged by the Master has been kept almost as a pet, humiliated. Meanwhile Martha has been travelling the world on a mission to save the world.

One of the big questions outstanding from last week was who or what were the Toclofane. The answer was perhaps the most straightforward, especially when you remember that the Doctor said last week that the Master could only travel between the twenty-first century and the end of the universe. The Toclofane were all that was left of the human race – not surprisingly Utopia wasn’t an escape, and the Master had travelled to the far future and offered to ‘save’ them by bringing them back in time. This also explained the paradox machine created by the Master which was needed to hold everything together as the Toclofane changed their own past. Ultimately it was the paradox machine that held the key to resolving what had happened – with the machine holding the paradox removed, everything reverted to normal.

As with last season and with many series, the major plot was resolved relatively early on in the episode, giving a chance to ‘reposition the pieces’ ready for Christmas.

Having captured the Master, there is a nod to Scream of the Shalka which included an android Master – voiced by Derek Jacobi – who lived in the TARDIS in that the Doctor decides that despite what the Master has done, he can’t allow him to be executed, and as the only other time lord, the Master is his responsibility, and he is going to imprison him in the TARDIS. However this plan is curtailed by Lucy Saxon, the Master’s wife, who shoots her husband. Whilst the Doctor begs his enemy to regenerate, the Master appears to deliberately stop himself from regerating, and dies in the arms of the Doctor. The interesting comparison to this is a scene mere moments before, when the Doctor has grabbed the Master as he attempts to escape using Jack’s vortex manipulator. Having failed to escape, and finding themselves near the fleet of rockets, the Master then threatens to blow the ships up killing both himself and the Doctor. However, the Doctor calls his bluff, saying that the Master would never do it because it involved his death. The Master hands over the control to destroy the rockets, and returns with the Doctor. Then moments later he is goading people to shoot him, almost as if he wants to die – and when someone actually shoots him, he doesn’t regenerate all a bit odd…

Alone, the Doctor takes the body of his former enemy and places it on a funeral pyre. However, then the odd behaviour and rocket scene make a bit more sense. In a scene reminiscent of many classic sci-fi serials you see a woman’s hand retrieve the Master’s ring from the pyre, and hear a familiar chuckle. Perhaps, as he has done before, the Master has cheated death, and by letting his time lord body die (remember the Doctor appeared to know the instant the Master became time lord again two weeks ago) managed to evade the Doctor to return again.

That is not the only revelation in the last few minutes. I’ve commented a couple of times on the paradoxes included in this series. Back in episode 1 there was a minor paradox when Martha meets a future Doctor, then in the Shakespeare Code, the Doctor has to leave in a hurry as he is chased by troops for something his future self has done. Blink also includes a paradox that is key to the whole story. However as the Doctor drops Jack off in Cardiff they discuss the fact that he is ageing but will never die, and then Jack comments that in his home era living on the Boeshane peninsula, he became a poster boy, and was known as the Face of Boe – perhaps explaining how the Face of Boe knew how many times he would meet the Doctor, and also the fact that the Doctor was not alone.

After that revelation, there was one final twist as Martha decides that she is not going to leave with the Doctor. Whilst he tries to act as if nothing has changed, having spent a year away from the Doctor, she knows that everything has changed. Having said that, she apparently isn’t out of the series, and may well also be appearing in Torchwood too. This neatly arranges everything for this years Christmas special, where the special guest companion is apparently going to be Kylie Minogue. Much as with last year, we also get a Titanic cliff-hanger – as it appears that the ship has smashed it’s way into the TARDIS.

All in all I found it a really enjoyable episode, and a definite improvement over last week. I was a lot happier with the characterisation of the Master too, with the zany moments of last week toned down. The relationship between the Master and the Doctor being at the heart of the episode, and some very moving scenes between the two. There were also some great references back to previous battles with both time lords mentioning the Axons. Amusingly after a whole series of moments where I expected the Master to not be dead, the moment where the hand picks up the ring and you hear a familiar laugh did produce a big smile. Also the reason for having Jack around became clear – although I don’t think I can cope with a million years of Torchwood waiting for him to age…

Suddenly Human

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One of the favourite techniques used by regular weekly shows is to have an episode that plays with the underlying concept, so for example we have the Mirror Universe stories in Star Trek, or stories such as Superman II where the hero either looses or gives up his powers. Doctor Who has done similar concept breaking episodes at times in it’s history, and this week was one of those times, where we had a story where the Doctor wasn’t himself – indeed he wasn’t even the same race – as in order to hide from a group of aliens referred to initially only as ‘the Family’ he uses a device in the TARDIS called the Chameleon Arch that creates a new character and biology for him, allowing him to hide. His Timelord persona is safely stored away in a device disguised as a pocket watch ready for when he is able to come out of hiding.

The episode, Human Nature is based on the 1995 book of the same name, however whilst a number of plot elements and character names are reused, the plot is somewhat changed. The basic concept of the Doctor becoming human, and the main location as an English public school in the winter before the Great War are retained, but characters are changed. For example the widow Joan Redfern who falls in love with Doctor John Smith becomes a nurse in the TV episode, whilst in the book she is a science teacher. The reason for the Doctor becoming human is different than in the book too.

The episode operated on many levels. On the surface you have the story of the Doctor hiding from aliens who need the last of the Timelords, however as Beth pointed out in many ways it is a tragic story. Alongside the simple surface story one of the boys, Tim, appears to have telepathic powers and can see the future. Whilst these are partly in the main plot to allow him to see visions of Martha’s real life, he also at times gets premonitions of the impending war, including his death alongside a fellow boy from the school in an attack. There is also an element of tragedy surrounding Joan Redfern, who having lost her first husband is attracted to Doctor John Smith, but who you ultimately know will loose him as the personality and life are artificially generated and will disappear when the Doctor regains his previous character.

The episode is also a great opportunity for Freema Agyeman to shine as Martha Jones. Doctor John Smith obviously doesn’t remember who she really is, and believes she is just his maid. Whilst the Doctor is blissfully unaware, except through strange dreams, of his true identity, she is tasked with keeping him safe, and if something goes wrong bringing him back, her only guide being a list of instructions that the Doctor has left behind in the TARDIS, also hidden away so as not to attract attention.

Quite aside from having a great multi-layered plot, we also have some nice moments for the fans. Doctor John Smith has been keeping a journal of his strange dreams, and as he shows Joan the notebook, we see pictures he has drawn of creatures from the new series, but then for the first time an on screen acknowledgement of the previous series with the journal including images of many of the previous Doctor’s. Later on when Doctor John Smith is talking about his family he mentions that his parents are called Sydney and Verity, acknowledgement of Sydney Newman the Canadian TV producer who created Doctor Who, and Verity Lambert it’s first producer.

All in all I thought it was one of the best episodes of the new series, nicely evoking the atmosphere of the period, along with some scary badies whose traits were more unnerving compared to the cringe-making give-away of the Slitheen. Amongst all of that you also had a noticeably different character in Doctor John Smith at the centre, who even when he is confronted by the badies in the cliff-hanger, still can’t remember who he is. Great stuff, and I’m now really looking forward to the conclusion next week. Hints about that episode seem to imply that ‘the Family’ are part of a bigger plan. Part of the Mr Saxon story arc? We’ll have to wait and see.