Tag Archives: Silence in the Library

Forest of the Dead

Years ago when Star Trek: The Next Generation did a two part episode, it seemed to be almost a given that part two would be a bit of a letdown, that the exciting cliff-hanger built up in part one wouldn’t go anywhere much in part two. Steven Moffat on the other hand seems to produce second parts that whilst they aren’t more of the same, are still equal to the first part.

Take his episode of Doctor Who shown yesterday, Forest of the Dead, the conclusion of Silence in the Library. Whilst it continued from the end of the previous episode, the focus was rather different. The major focus last week had been on the Vashta Nerada, who this week were there as a threat, but with little further exposition, indeed by the end of the story they had not been defeated, but instead the Doctor had negotiated a truce with them in order to give him the time to rescue the four thousand people who had been saved by the central computer when the library had originally been taken over.

This time the main focus of the story was on Donna, who had been saved by the computer, and was starting to live within the virtual reality within the computer itself. We also discover that the girl seen previously is in actual fact the preserved consciousness of a dying child, who had saved the occupants of the library, but was now struggling to keep the four thousand personalities in check. The mysterious Doctor Moon is in actual fact a representation of the moon of the planet, an artificial satellite placed in orbit to maintain the computer core.

Whilst Donna is trapped in this virtual world, in the real world the temporal paradox around the Doctor and River Song is deepened when in order to persuade the Doctor that he should trust her, River reveals that she knows his real name – one of the longest running mysteries in the series (the title of the show is actually a question – Doctor who?) – needless to say it doesn’t get revealed to us the viewer. However the revelation is enough for the Doctor to trust her, to the point that he is caught out when she knocks him out in order that she might sacrifice herself to save the saved people of the library, rather than the Doctor. All is not lost however as thanks to the temporal paradox, the future Doctor knows when River is going to die, and has rigged the sonic screwdriver he gives to her to save her consciousness, allowing his past self to transfer her into the data banks of the computer.

Despite River spending most of the episode carrying around a book of spoilers – stories of the Doctor’s future, he doesn’t look. The most he gets is a description of the last time River met the Doctor, and the knowledge that the TARDIS doors will open if the Doctor snaps his fingers, something he tries out at the end of the episode. The Doctor deliberately leaves the book behind as he leaves, although we the viewer, if you are quick with the pause button get a little glimpse at the very end of the episode as we look over River’s shoulder as she reads from the book…

So after a tour-de-force from the new lead writer of the series, for the last four episodes we are back with the current lead writer, Russell T, with firstly a pair of lead character light episodes, Midnight being mainly the Doctor, and Turn Left being companion focused featuring Donna and the much anticipated return of Rose.

Incidentally, if you weren’t up and watching TV this morning, you would have missed David Tennant talking about (amongst other things), his upcoming turn as Hamlet, plus a bit about Doctor Who, including the standard “when are you leaving” question, to which he gives the usual answer! However, you can catch up with the interview thanks to the BBC News website.

Are You Afraid of the Shadows?

After having induced an irrational fear of statues amongst the youth of the nation last year, Steven Moffat has certainly had a good go at making them afraid of shadows this time around!

Much as he did with his previous two part story for Doctor Who, the excellent Empty Child, Silence in the Library leaves you with a stack of questions at the end of it’s forty-five minutes. The bemusement comes right from the beginning, with the pre-credits sequence that finds a young girl talking to a psychiatrist about visions she has been having about a giant deserted library, however as she is describing an ongoing vision suddenly her empty library is broken into by the Doctor and Donna. After the opening credits we get a little bit of flashback to bring the time travellers to the same point in the story, so we see the Doctor and Donna landing in the deserted library and looking around, discovering that their arrival is not an accident – the Doctor has received a personal message on his psychic paper summoning him – and that although they are the only two humanoids on the planet there are more than a million million (a long-scale billion, rather than the now more common American billion) life-forms detected – but why can’t they see them?

What is interesting is that when we see the meeting that occurred in the pre-credit sequence from the others side, the Doctor and Donna are merely meeting a security camera. When the girl in shock snaps out of her vision, the security camera fails, but as the Doctor with his sonic screwdriver attempts to reactivate the security camera, the girl feels the effects in the other reality.

the Doctor and Donna are not without people to talk to in the library however. They have been told what has happened to the library thanks to a message delivered by one of the automated nodes, which chillingly are robots with real human faces, apparently donated to the library after death. The first node they meet recounts the last moments of the last people in the library. Later on we discover that whilst nobody lived, the last four thousand people on the planet were ‘saved’ – but what does that mean?

the Doctor and Donna are not alone for long. They are joined by an expedition of archeologists brought in by the family who own the library, coming to find out what has happened. The team is lead by Professor River Song, the woman who sent the message to the Doctor and seems to know him very well. Unfortunately to the Doctor she is a total stranger. River Song is a surprisingly rare thing in the series, especially considering the programme is about a time traveller, someone who the Doctor has yet to meet, but who has certainly met him a number of times before. I suspect largely because of the confusion it induces, and complications for the writers, the Doctor always tends to meet people linearly, certainly this is the first occasion I recall him having not met someone who has met him. It does seem from the trailer for the episode next week that even the Doctor cannot resist finding out about his own future…

Once the exploration team are on the scene, the action kicks off as fairly swiftly one of the team is killed in gruesome fashion, leaving only bones and tattered remains of her clothing. The Doctor describes the cause as being Vashta Nerada, swarm creatures that live in the dark, and strip a creature of it’s flesh. In a typical “terrify the kidsâ€? moment the Doctor says that they exist all over the universe, even on Earth, hiding in shadows, waiting for prey. They appear just as shadows, so when later on one of the exploration team inexplicably gains a second shadow, the Doctor knows something is wrong with him.

As he has done previously, the Doctor gets his companion to safety, transporting her, he thinks, back to the safety of the TARDIS, but unbeknownst to him something goes wrong, and it is not until a few minutes later, being chased by Vashta Nerada, the Doctor finds a node with the face of Donna starring back. The node confirms that Donna too has been ‘saved’, much like the four thousand or so others.

Then there is just the question of the girl. During the episode on a number of occasions the world of the library, and this other reality cross over, with the Doctor and the girl managing to communicate, and her almost robot-like reporting when Donna has been saved. There is certainly something significant going on, as on the wall of the house in which she is are what are obviously the drawings of a child, but is that a wolf in one, and someone that looks rather like Rose in another? Even more intriguing is towards the end of the episode when Doctor Moon, the psychiatrist tells the girl that the library in her visions is real, not her reality, and that she is the key to saving people in the library.

Like all the best first parts, it leaves you with a ton of questions, and wishing you didn’t have to wait a week for part two!