Artistic Adverts

atishu!I don’t know whether the producers of The Apprentice make a note when they are picking candidates, or whether there is some strange kind of symbiosis between getting on in business and being a frustrated actor or director, but whenever Sir Alan dusts down the advertising task there are always one or two candidates willing to step up to the mark with an attempt to showcase their movie making talents into thirty seconds, and missing the whole point of the task.

This time it was Raef and Michael, who having discovered a shared interest in amateur dramatics launched into scripting their advert before the team had even decided on a brand for their box of tissues – the choice of product for the advertising task this year. Fellow team members Claire and Helene were pretty well left to get on with designing the box, putting together the press advert and the final presentation, while Raef and Michael recruited Siân Lloyd for their advert and produced a beautifully shot fifty second drama to try to win the task. The problem? It had to be thirty seconds, so they cut the in-your-face product shot, and cut their start turn down to a blink-and-you-miss-it moment, leaving mainly a sequence with two child actors sharing a tissue, but without the product box in sight. Claire pulled together a slick presentation, and a nice tasteful box for their “i ♥ my tissuesâ€? line, almost in spite of the lack of leadership from Raef.

Over on the other team, Lucinda was having creative differences with Alex and Lee as they produced a garish bright yellow box covered in pictures of people sneezing, and a cheesy, not very well shot advert that blatantly placed the product in shot multiple times, and repeatedly mentioned the equally cheesy product name “atishu!�. The creative differences scuppered the presentation, with Lee seeming pretty embarrassed at the lousy performance he gave.

So when it came to the boardroom, Raef and co seemed a picture of confidence, the opposition had produced a lousy looking add and a garish product, and his team had put on a slick show. But they’d missed the vital point, however good the production values, the advert didn’t show the product. Subtle advertising is not what Sir Alan is about. He never wants artistry, he wants to shift merchandise, so it was Raef that was shown the door, like a number of other budding Apprentice directors before.

The moral for next years candidates – when Sir Alan hands you a video camera, don’t forget the purpose of the film…

New Doctor Who Executive Producer Confirmed

So after months of speculation, the BBC has finally confirmed what most fans suspected, that Russell T Davies will be handing of the reigns of Doctor Who for the fifth season – the second part of the rumour is that David Tennant will be leaving at the same time, which hasn’t been confirmed or denied.

One aspect of the discussion about Russell leaving, was always a discussion about who would replace him in the job of executive producer and lead writer. The hope amongst fans was always that Steven Moffat, as the writer who has produced the most consistently good stories throughout the new series, would be persuaded to take the job, but many thought it unlikely that he would. I’m pleased to say that he has been persuaded, and has been typically humorous in his quote on getting the job:

“My entire career has been a Secret Plan to get this job, I applied before but I got knocked back cos the BBC wanted someone else. Also I was seven. Anyway, I’m glad the BBC has finally seen the light, and it’s a huge honour to be following Russell into the best – and the toughest – job in television.

The arrival of a new producer in the past often sees a change in direction or focus, and I suspect this changeover will be no different. Quite what will happen I don’t know, but certainly if his previous contributions to the series, and his other work on series like Jekyll, I, and I expect most of the fans have pretty high expectations – as he has said, one of the toughest jobs in television, with probably one of the most vocal fanbases too. Good luck Steven!

Crazy Christians Night

Tonight was another one of Channel 4’s periodic crazy Christian nights, this time a documentary in the Dispatches thread related to the Human Fertilisation and Embryo Bill that is currently working it’s way through parliament. Although at it’s heart the documentary was trying to make an important point about the growing influence of fundamentalist Christian movements within the establishment, it did inter-cut the segments on those groups with the more obviously nutty elements, including Stephen Green and Christian Voice. Whilst that did give the opportunity for the programme to ask the more establishment participants if they agreed with what Stephen Green was saying, including some of the sequences of both him and the driving instructor from Bristol certainly seemed to be as much for the entertainment value as anything else.

The general way that the film handled the participants was much the way that these programmes often go, which is with an element of apparent journalistic disconnection – essentially waiting for the participants to do something that would make good TV. Stephen Green served up one moment pretty early on. The documentary team filmed him on some of his pickets outside performances of Jerry Springer: The Opera, and Stephen Green seemed to be decidedly unpredictable, veering from being happy to have the cameras around and co-operating, to wanting the cameras to go away and stop filming. Then during prayers outside the final performance in Brighton, at a point when he is being co-operative, a seagull flying over him relieves itself over his shoulder whilst the crew is filming, resulting in Green declaring that the seagull is a message from God telling him not to co-operate. Of course considering that they were praying for the financial ruin of the company behind Jerry Springer: The Opera you could argue that it is a message from God against that, or alternatively that it is all just pure chance and not God controlling the bodily functions of a seagull at all!

Alongside this the programme also found a born again Christian from Bristol. A twenty-nine year old driving instructor, the programme highlighted the fact that he lived alone, and was a virgin. Again seeming to head down the crazy Christians line. We also got to see the private school run by his Church which is teaching it’s children creationism – something again that Channel 4 has covered before.

What tends to unite these elements is that more often than not these elements are extreme enough that they aren’t overly taken seriously. Whilst Stephen Green did garner a good deal of publicity in the early stages of the Jerry Springer: The Opera furore, he has largely been sidelined again, indeed much of his footage either showed him picketing gay rights events on his own, or with small groups. Whilst his opinions are extreme (he describes Islam as being the work of Satan at one point), there is at least the solace that these are apparently small groups.

What was much more interesting and perhaps concerning about the programme though was the third participant, Andrea Williams from the Lawyers Christian Fellowship, who is significantly more media savvy. Whilst the programme showed Stephen Green and relatively small groups, it showed Andrea, who admitted to sharing the same views as Stephen Green – although rephrased in less provocative language – handling much bigger demonstrations, and moving amongst some pretty well known politicians. Unlike some of the other participants she is well aware what plays negatively in the wider media, so the hellfire and brimstone preacher at the demonstration was moved away, she was careful to ensure that BNP members hanging around on the periphery of the demonstration were moved away, and when one of the participants in the demonstration started verbally attacking a pro-choice campaigner it was the demonstrator who she had moved.

That’s not to say that the documentary didn’t corner her on a couple of occasions – for example when the interviewer throws in a question about fossils and the age of the Earth she quickly flounders and calls a halt. Similarly when she is interviewed alongside Conservative MP Nadine Dorries, who she has been helping draft the upcoming abortion amendment, and the interviewer asks Nadine whether they have discussed some of Andrea’s other beliefs – at which point he asks Andrea her opinion of Islam – after starting to answer Andrea then thinks better of it and turns off her microphone and refuses to say anything else. At another point in the programme, the documentary crew film a presentation given about Islam in Nigeria to a group of Christians which subsequently is partially retracted.

Having said that, it is disturbing quite what influence the group appears to have. Quite apart from the assistance to Nadine Dorries, which includes writing the amendments for her, a meeting with Lord Tebbit is also shown, where again a fully drafted proposed amendment is handed over. The group is also backing cases such as that of Andrew McClintock a magistrate who stood down over the civil partnership laws, aided by significant financial backing from across the pond.

That essentially is the key message of the programme, that in much the same way as they have done for a number of years in the US, fundamentalist Christians are starting to use the courts, and to wield influence in parliament to move their agenda forward. Also in much the same way as has occurred across the pond they are aware of what plays badly in the public perception and are steering around it, and as such, are becoming a very vocal and powerful small minority having a comparatively large influence compared to their size.

The problem of course is that as the fundamentalist wing of Christianity makes more of this sort of well targeted and well managed noise, the broad range of opinions across the non-fundamentalist Christians gets lost, and the small minority of fundamentalists end up being taken as speaking for the whole, so for example with the current bill, whilst in reality there is a broad range of Christian opinion, only one Christian voice seems to be being heard.

The Unicorn and the Wasp

Last nights episode of Doctor Who was perhaps one that could be classed as primarily an entertaining romp. The basic plot was your regular Doctor against a monster – in this case a giant wasp – but around that was placed a classic Agatha Christie murder mystery at a stately home, with guests being killed off one by one, plus a notorious jewel thief on the prowl, and complete with Agatha Christie herself in attendance.

Structured into the plot is also Agatha Christie’s well publicised disappearance – although since that actually occurred in December, the summer garden party and trees in full leaf don’t exactly fit. Needless to say the explanation for her disappearance, leaving her car in Surrey and reappearance a few days later in Yorkshire is explained in the programme as being amnesia caused by her final encounter with the giant wasp followed by a trip in the TARDIS, resulting in a bit of a paradox as the Doctor deposits Agatha Christie where he knows she will later be found.

Gareth Roberts and Russell T certainly had some fun with the script. The first murder is classic Cluedo, with Professor Peach being murdered with the lead piping in the library. From there we have someone killed by a falling statue, and stabbed in the back at dinner, ending up face down in the soup course. You of course have the local vicar in attendance, and a butler too, and lots of people with dark secrets. The team also have a fun time with flashbacks – which never quite match up with what the protagonists are actually saying. It all finishes up with a relatively low speed car chase in classic cars setting everything in place for the disappearance. Buried in the script are also numerous references to classic Agatha Christie book titles, and also Donna inadvertently giving Christie a number of story ideas. The episode also references previous episodes with Donna remarking on how amazing it is being with Agatha Christie, almost as amazing as meeting Charles Dickens with ghosts at Christmas

In some ways this was a bit of a comedic interlude before we get into the more serious stories in the second part of the season, kicking off with the much anticipated (and apparently very frightening) Steven Moffat story Silence in the Library, leading in to the return of Rose as part of the final four episodes which are all scripted by Russell T, usually indicating that they are fairly important episodes in terms of the series. In the case of one of the four episodes the title has yet to be revealed for fear of giving too much away. Suffice to say that the Daleks have appeared in the series trailers, but are not appearing anywhere else in the series as far as we have been told so far…