Category Archives: Doctor Who

Are You Afraid of the Shadows?

After having induced an irrational fear of statues amongst the youth of the nation last year, Steven Moffat has certainly had a good go at making them afraid of shadows this time around!

Much as he did with his previous two part story for Doctor Who, the excellent Empty Child, Silence in the Library leaves you with a stack of questions at the end of it’s forty-five minutes. The bemusement comes right from the beginning, with the pre-credits sequence that finds a young girl talking to a psychiatrist about visions she has been having about a giant deserted library, however as she is describing an ongoing vision suddenly her empty library is broken into by the Doctor and Donna. After the opening credits we get a little bit of flashback to bring the time travellers to the same point in the story, so we see the Doctor and Donna landing in the deserted library and looking around, discovering that their arrival is not an accident – the Doctor has received a personal message on his psychic paper summoning him – and that although they are the only two humanoids on the planet there are more than a million million (a long-scale billion, rather than the now more common American billion) life-forms detected – but why can’t they see them?

What is interesting is that when we see the meeting that occurred in the pre-credit sequence from the others side, the Doctor and Donna are merely meeting a security camera. When the girl in shock snaps out of her vision, the security camera fails, but as the Doctor with his sonic screwdriver attempts to reactivate the security camera, the girl feels the effects in the other reality.

the Doctor and Donna are not without people to talk to in the library however. They have been told what has happened to the library thanks to a message delivered by one of the automated nodes, which chillingly are robots with real human faces, apparently donated to the library after death. The first node they meet recounts the last moments of the last people in the library. Later on we discover that whilst nobody lived, the last four thousand people on the planet were ‘saved’ – but what does that mean?

the Doctor and Donna are not alone for long. They are joined by an expedition of archeologists brought in by the family who own the library, coming to find out what has happened. The team is lead by Professor River Song, the woman who sent the message to the Doctor and seems to know him very well. Unfortunately to the Doctor she is a total stranger. River Song is a surprisingly rare thing in the series, especially considering the programme is about a time traveller, someone who the Doctor has yet to meet, but who has certainly met him a number of times before. I suspect largely because of the confusion it induces, and complications for the writers, the Doctor always tends to meet people linearly, certainly this is the first occasion I recall him having not met someone who has met him. It does seem from the trailer for the episode next week that even the Doctor cannot resist finding out about his own future…

Once the exploration team are on the scene, the action kicks off as fairly swiftly one of the team is killed in gruesome fashion, leaving only bones and tattered remains of her clothing. The Doctor describes the cause as being Vashta Nerada, swarm creatures that live in the dark, and strip a creature of it’s flesh. In a typical “terrify the kidsâ€? moment the Doctor says that they exist all over the universe, even on Earth, hiding in shadows, waiting for prey. They appear just as shadows, so when later on one of the exploration team inexplicably gains a second shadow, the Doctor knows something is wrong with him.

As he has done previously, the Doctor gets his companion to safety, transporting her, he thinks, back to the safety of the TARDIS, but unbeknownst to him something goes wrong, and it is not until a few minutes later, being chased by Vashta Nerada, the Doctor finds a node with the face of Donna starring back. The node confirms that Donna too has been ‘saved’, much like the four thousand or so others.

Then there is just the question of the girl. During the episode on a number of occasions the world of the library, and this other reality cross over, with the Doctor and the girl managing to communicate, and her almost robot-like reporting when Donna has been saved. There is certainly something significant going on, as on the wall of the house in which she is are what are obviously the drawings of a child, but is that a wolf in one, and someone that looks rather like Rose in another? Even more intriguing is towards the end of the episode when Doctor Moon, the psychiatrist tells the girl that the library in her visions is real, not her reality, and that she is the key to saving people in the library.

Like all the best first parts, it leaves you with a ton of questions, and wishing you didn’t have to wait a week for part two!

Doctor Who Mid-Season Preview

After the general despondency induced by a whole load of depressing Eurovision voting, there was the main event of the evening (to some people), the Doctor Who mid-season preview, the now traditional special trailer we get to make up for the fact that the programme has been bumped for a week.

First off, no secret of the fact that Rose is definitely coming back, although this is definitely more of a tough gun wielding Rose than before, and the Doctor seems happy she’s there. In terms of other rumoured returning companions there is no sight of Captain Jack or Sarah-Jane Smith.

In terms of plot give-aways, we’re certainly going to have to contend with a generation of kids with an irrational fear of the dark after next week I’m sure – but darkness also seems to figure elsewhere, with stars apparently disappearing in the night sky. Rose refers to a darkness coming from across the stars at one point too. We also get a lot of quick fire clips of explosions, what looks like a fire in the TARDIS, and also the Doctor apparently swimming through the time vortex.

It is also pretty clear from the trailer that the Daleks are back in force, so my guess would be that they are turning up in the finale. You also get a pretty good hint that Davros is going to return, as the trailer includes something that looks very much like an updated version of the character moving out of shadow, but which of course cuts before you get a clear sight.

Much as with all good trailers, it dangles a whole load of stuff in front of you, without really giving that much away…

New Doctor Who Executive Producer Confirmed

So after months of speculation, the BBC has finally confirmed what most fans suspected, that Russell T Davies will be handing of the reigns of Doctor Who for the fifth season – the second part of the rumour is that David Tennant will be leaving at the same time, which hasn’t been confirmed or denied.

One aspect of the discussion about Russell leaving, was always a discussion about who would replace him in the job of executive producer and lead writer. The hope amongst fans was always that Steven Moffat, as the writer who has produced the most consistently good stories throughout the new series, would be persuaded to take the job, but many thought it unlikely that he would. I’m pleased to say that he has been persuaded, and has been typically humorous in his quote on getting the job:

“My entire career has been a Secret Plan to get this job, I applied before but I got knocked back cos the BBC wanted someone else. Also I was seven. Anyway, I’m glad the BBC has finally seen the light, and it’s a huge honour to be following Russell into the best – and the toughest – job in television.

The arrival of a new producer in the past often sees a change in direction or focus, and I suspect this changeover will be no different. Quite what will happen I don’t know, but certainly if his previous contributions to the series, and his other work on series like Jekyll, I, and I expect most of the fans have pretty high expectations – as he has said, one of the toughest jobs in television, with probably one of the most vocal fanbases too. Good luck Steven!

The Unicorn and the Wasp

Last nights episode of Doctor Who was perhaps one that could be classed as primarily an entertaining romp. The basic plot was your regular Doctor against a monster – in this case a giant wasp – but around that was placed a classic Agatha Christie murder mystery at a stately home, with guests being killed off one by one, plus a notorious jewel thief on the prowl, and complete with Agatha Christie herself in attendance.

Structured into the plot is also Agatha Christie’s well publicised disappearance – although since that actually occurred in December, the summer garden party and trees in full leaf don’t exactly fit. Needless to say the explanation for her disappearance, leaving her car in Surrey and reappearance a few days later in Yorkshire is explained in the programme as being amnesia caused by her final encounter with the giant wasp followed by a trip in the TARDIS, resulting in a bit of a paradox as the Doctor deposits Agatha Christie where he knows she will later be found.

Gareth Roberts and Russell T certainly had some fun with the script. The first murder is classic Cluedo, with Professor Peach being murdered with the lead piping in the library. From there we have someone killed by a falling statue, and stabbed in the back at dinner, ending up face down in the soup course. You of course have the local vicar in attendance, and a butler too, and lots of people with dark secrets. The team also have a fun time with flashbacks – which never quite match up with what the protagonists are actually saying. It all finishes up with a relatively low speed car chase in classic cars setting everything in place for the disappearance. Buried in the script are also numerous references to classic Agatha Christie book titles, and also Donna inadvertently giving Christie a number of story ideas. The episode also references previous episodes with Donna remarking on how amazing it is being with Agatha Christie, almost as amazing as meeting Charles Dickens with ghosts at Christmas

In some ways this was a bit of a comedic interlude before we get into the more serious stories in the second part of the season, kicking off with the much anticipated (and apparently very frightening) Steven Moffat story Silence in the Library, leading in to the return of Rose as part of the final four episodes which are all scripted by Russell T, usually indicating that they are fairly important episodes in terms of the series. In the case of one of the four episodes the title has yet to be revealed for fear of giving too much away. Suffice to say that the Daleks have appeared in the series trailers, but are not appearing anywhere else in the series as far as we have been told so far…

The Doctor’s Daughter

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After all the speculation as to who the titular daughter was going to turn out to be, what we in fact got in The Doctor’s Daughter was a new character – an extension of the continuity rather than an attempt to weave a story within the established history of the programme.

As an episode it wasn’t bad – although the plot somewhat fell apart when it got towards the end with the idea of the war only having been going on for seven days – especially when you took a look at the human general. However, the basic premise of Jenny being created and the chance to explore how the Doctor dealt with his new family tended to rise above the holes in the plot. Perhaps the only part that felt really unnecessary was the scene where Martha falls into the quicksand and is saved by the sacrifice of the Hath who is accompanying her – it would have made more sense had it been seen and used as an example to the warring humans and Hath, but taking place as it did away from the main action there didn’t really seem to be much point, except maybe to remind Martha of the cost of travelling with the Doctor and why she stopped before.

To some extent, Martha seemed to be present primarily in order to give the Hath view, as the character of Donna was needed to counterpoint the reaction of the Doctor to his new, and potentially rather violent daughter. Alongside this, as his daughter, Jenny was able to challenge the Doctor on some of his own actions when they appeared contradictory in a way that other characters maybe cannot – in particular his criticism of what she was.

Ultimately though, what the story gave us is another Timelord in the universe (and perhaps a character designed to appeal to another audience demographic) – and from the comments at the end of the accompanying Doctor Who: Confidential, that were as close to spoilers without actually giving away the upcoming plot – one who we are going to see again before too long.