Was the Apprentice Comic Relief?

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Tonight we had the first part of Comic Relief Does The Apprentice, a special edition of the UK Apprentice with a mixed bag of ten celebrities taking part, including pop star Cheryl Cole, sacked newspaper editor Piers Morgan, former Downing Street Director of Communications Alistair Campbell, actress and comedienne Maureen Lipman and TV fashion guru Trinny Woodall amongst others. Actor Rupert Everett lasted mere hours into the challenge before he walked off, to be later replaced by Tim Campbell winner of the first series of the real programme.

The celebrities were split into boys and girls teams, and given 48 hours to organise a fund-raising evening based around a fun fair. There was a fixed set of eight attractions, which the two teams had to divide between them, and in addition each team had a food stall, and then could do whatever else they wanted to raise money. A big part of that comes down to who had the most generous celebrity pals – Trinny Woodall managed to sell one ticket to a friend for £150,000 (and yes I have got the right number of 0’s there), much to the amazement of Maureen Lipman and Cheryl Cole. Other tickets go for tens of thousands of pounds.

It has to be said that, in most cases the celebrities seemed to be doing it for a laugh – however as often happens with the fund raising versions of the programmes, others take it really seriously. Campbell and Morgan especially seemed to be having a wail of a time, pretty well right from the start. For example in the opening board room, you got the usual silent round table pause where Alan Sugar is apparently psyching out the candidates. However the moment is broken by Morgan telling Sugar to get on with it, and being met by a swift “Shut up Morganâ€? in return. Piers Morgan also makes a number of Cash for Honours jokes in the direction of Alistair Campbell all the way through – although Sugar gets the first Cash for Honours jibe within the first few minutes of the programme.

Their double act gets quite amusing at times, especially when it transpires that neither are actually able to refill a stapler! Campbell admits that he doesn’t know how, whilst Piers tries, only to have to have Tim have to sort it out afterwards when he tries to use the stapler. Tim incidentally, as he did in the original show, just quietly and efficiently gets on with the work without complaining – quite amazing considering that he is about the only one on the boys team with any real business experience, and is largely relegated to being a PA for Campbell and Morgan.

Things however take a rather dark turn though when the hotel in which both teams are based, accidentally tells the boys team that a chef sent by another friend of Trinny Woodall to help the girls out has arrived. Campbell and Morgan basically think it’s quite a laugh to play along, and have the hotel send the chef up to their room, and start discussing menus. Certainly the impression I got was that it was primarily to make mischief as anything else. However Trinny is one of the ones taking it seriously, and really doesn’t see it that way. She is absolutely steaming at the boys having, in her eyes, kidnapped their chef. Bear in mind also, that the boys team had come out much the better in the negotiations over the choice of fairground rides when Campbell had forced the girls team to give up everything else for the dodgems.

What happens next is quite amazing for a show that is going out as part of Comic Relief. After a little bit of listening at the door, Trinny comes steaming in demanding her chef. Campbell and Morgan however, carry on with the mischief making, totally misjudging the state Trinny is in, and say that since the chef arrived in their room, he belongs to them, and try and stop the chef from leaving. She then tries to drag the chef out of the room, with Campbell and Morgan blocking the way. There is then a good deal of shoving, and she then proceeds to attack the back of Campbell’s shirt with a marker pen. At one point Campbell and Morgan even manage to get the chef locked in the bathroom! At this point Trinny then threatens the chef saying that she will get him the sack if he doesn’t fight his way past Campbell and Morgan!

Things don’t get much better later on with Trinny either as when working with an increasingly amazed Cheryl Cole she seems at times hyperactive, for example demonstrating a detox routine taught to her by a Russian who lives in Austria, and then almost obsessive as she makes an absolute mountain out of a molehill in a phone call with Maureen Lipman about Maureen’s guests. Trinny is meticulously checking off people against tickets, whilst Lipman is part way through the very messy process of making 400 portions of Chicken Satay. Lipman gets more and more annoyed with Trinny obsessing, and her refusal to wait and discuss it when Lipman has finished the Chicken. Eventually Lipman just hangs up the phone, and Cole is left trying to sort out Trinny.

Ultimately on the night the boys seem to make the best of their attractions, but it is the big spending celebrity pals of the girls that swing it. We are left to wait until tomorrow to find out which one of the boys gets fired, but from the clips, it looks like Campbell and Morgan get quite heated in the board room, so I’m betting it will be one of them who gets it. However, the endearing impressions I got from the whole programme were firstly quite how on edge and unpredictable Trinny is throughout the programme. I’m guessing that she is probably someone who is fiercely competitive, however when faced with Campbell and Morgan – who were basically playing it like a game, it definitely produced some fireworks. Campbell and Morgan probably didn’t do that much for their reputations – or maybe they just confirmed what everybody thought anyway – especially considering how much a simple stapler foxed the two of them. Having said that, it was all worthwhile in terms of the purpose of the exercise – between them the teams managed to raise over £1 million for Comic Relief.

Sweet Singing in the Choir

Last night we had the final rehearsal for the Basingstoke Symphony Orchestra/Ranelagh and Holt School Choir concert which myself and four others from the bass and tenor lines at St James are helping out with.

Last night was the first occasion when everybody was sat in their allocated seats for the concert. The choir in total seems to number about 200 people, the majority being alto or soprano. Bass and tenor, including us and some help from Wokingham Choral Society only comes to about fifty people.

As I’d been allocated the first bass part, I’ve managed to end up sat right on the very front row of the choir – so no chance of me being able to hide up the back. Since the rest of the Ranelagh boys are also allocated to first bass, there is only one other guest singer on first bass with me, with all the other guests split between second and third bass, with a similar situation in the tenor line.

In my seat, on one side I have the other guest first bass, who unfortunately is adjacent on the other side to the guest first tenors – who not surprisingly can be a bit off-putting when trying to follow the bass line. The theory is that the rest of the first basses should be giving enough of a lead to hold us on track, however on the other side of me is one of the Ranelagh boys who based on the rehearsal last night is your archetypal young person with a talent for singing, but who knows it! When he actually was singing he had a good voice, and was pretty well note perfect, however a lot of the time he was either chatting with his friends sat next to him, or flirting with a couple of the girls on the front row of the soprano line. There were actually three or four points in the rehearsal where one of the teachers had to stop the rehearsal to tell him off – something which has happened in the preceding rehearsals too. He also had a tendency to sing the most interesting part in certain places, so at times when I was trying to keep with the other first basses who were all along the front row, as opposed to the second and third basses behind us I realised he was singing second or third bass instead, and on one occasion was even singing the tenor part. So with him on one side, and the tenors on the other, it was amazing that I managed to stick as much as I did to my part. Apparently the vocal parts are all mirrored in the orchestra most of the time, so hopefully it should be fairly straightforward to follow those instead if need be.

The big day is Sunday, when we spend the afternoon at the Anvil rehearsing with the orchestra, and then go on stage in the evening. It should be an exciting evening – and the first time in a long while I’ve sung in such a big choir with a full orchestra. Tickets are still available from the Anvil box office on 01256 844244.

Welcome to the Borough of Wokingham

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So as of today, we now live in the Borough of Wokingham, after the local council changed it’s name for the third time in five years. The other change is that the Council Chairman is now called the Mayor of Wokingham – a slight confusion with the other Mayor of Wokingham, who is Mayor of Wokingham town only. The Wokingham Borough name is not new though – the name was used up until 1974 when Wokingham Borough, and Wokingham Rural District were brought together to form Wokingham District, which existed under Berkshire County Council, until that was abolished in 1998.

The BBC is mocking the whole name change too, especially as the council is reacting to the many complaints that it is a waste of money by saying that none of the signs will be changed… So why bother?

According to the leader of the Council Frank Browne, it is to get ‘proper’ funding – as if changing the name will have any effect. Sadly, I think he may find that the reduced funding is as much to do with the fact that Wokingham regularly comes high up in quality of life surveys due to the high earnings and above average house prices across the area.

In reality I suspect the name change is as much to do with being called a borough, and having a mayor as any of this stuff over money – just local councillors wanting to make themselves sound important – if they were really concerned about money, they wouldn’t be wasting it on another pointless name change would they? After all, the new name isn’t going to change the people actually running the local authority…

Quoted in the Sunday Times

If you look carefully in the travel section of yesterdays Sunday Times, you’ll see what can happen if you grumble about something on your blog – in this case the spectacularly misnamed ‘Fast Bag Drop’ at Heathrow. The target of the article is the British Airways operation, however the Air Canada equivalent at the airport is no better.

Steve Bleach, the reporter in question sent me an e-mail last week. He’d had a pretty hellish attempt at dropping off the bags on his last transatlantic flight (at least we didn’t have to keep children entertained in the queue when we had to wait), and decided to write an item about it in the paper, and thought he’d have a search online and see if anyone else had problems. He’d come across a number of postings, including ours. Basically I called him back, and we shared ‘Fast Bag Drop’ chaos stories, part of which is quoted in the paper. Certainly from that article it seems that the situation is no better at Gatwick.

Anyway, things are no better when you get to the other end either – check out this clip of the sight that greeted a passenger trying to collect his luggage in Las Vegas…